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Kate & Birdie Paper Co.

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By Age 31, My Design Work Was Sustaining My Whole Family...

September 8, 2026 Gloria Wall

Recently, I shared a post on social media with a carousel of some very old (and many cringe-worthy) photos of the early years of business. I was surprised at the many comments and so I thought I’d share it here, in a more permanent spot too…

It wasn’t until I was working on the content for my first surface design workshop last summer that it occurred to me that by the time I was 31, my design work was sustaining my whole family. It surprised me, once I realized how old - or how young - I was. I started Kate & Birdie in 2004. I was 25. I had no idea of what I was doing, no framework growing up of women starting their own businesses (in manufacturing and international trade no less). Just a lot of gumption and determination, and perhaps some youthful energy (and maybe a little - or a lot - of naivety). I got to experience my biggest and wildest dreams. Dreams I had as a kid of immigrants who had middle school educations, sand since I was as young as I can remember. I feel like I’ve lived a six lifetimes since then, and have shifted my work and business over the years (autoimmune diseases and all). Pivoting here and there and getting to try new things and take on new work projects.

Now as part of it, I get to encourage and champion others through consulting and workshops while they take on creative endeavours and pursue dreams too. All these years later, entering a new season and feeling that shift again… in an exciting way, and I get to see what kind of creative inspiration comes next.

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In Creative Business, Illustration, Surface Design
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How I Started My Business, 22 Years Ago (Part One)

July 21, 2026 Gloria Wall

One of my first booths. We were so dressed up. (And why is Steve wearing a tie?)

One of the questions I’m asked most often is how I got started in business. It was March 2004 when I registered my business - I was 25. I have always been enamoured by art and design and any creative work, since as young as I can remember. Though I always naturally gravitated towards the design side - interiors, home textiles and prints and beautiful products. I had helped others with their homes from when I was a teen, and loved the idea of running a creative business and designing products. I contemplated chef school in my 20s, but I knew it wasn’t quite right. My early 20s were filled with wondering how to pick one creative direction. I had a distinct interest in the business side of creative work and working for myself and there wasn’t a school for both - it was one or the other. I dreamed of travelling to New York for business. That was big for a small town girl where no one else, let alone a woman, was doing that. I dreamed of a warehouse space for my business. Whatever that would be I didn’t know, but that was the big dream.

The year before we purchased our first computer. It was 2003 - we had a basic PC with a 3-in-1 inkjet printer and internet access for the first time ever. It came with a basic Corel Draw program, and I discovered that I could take one of my simple drawings, scan it into the program with the printer and colour my artwork digitally. I was hooked. It was like a world opened up. I could turn my little illustrations into something and print it out multiple times - what magic! I created a few greeting cards with basic yardstick and a bone folder. I gave these out to friends and family and it didn’t take long before my cousin in another Canadian city asked to purchase a set of them. She hadn’t seen anything like it there. That was my lightbulb idea. I could design paper goods, even custom stationery and sell them to others. It checked the boxes for me and was an easy and affordable entry into a product-based creative business. I simply started and declared I was in business and soon enough I had customers.

I had no idea what I was doing. I didn’t have a framework for what I wanted to do. I also didn’t grow up with women in my life starting businesses. And I didn’t know a thing about the industry. I had worked at a retail design store that gave me a brief idea what an independent retail shop might be like, and what working with wholesale vendors might be like. I happened to come across a couple of magazine articles (back when that was the only way to discover something or someone new) of independent stationery designers and I tore them out and put them up on my pinboard. I worked from my living room, and then eventually a spare bedroom. I wanted to try pitching them to local shops, so I met with a local print house and began printing them in small quantities. A couple of shop owners took a chance on me. But I had a lot of nos. One shop owner that I hoped to work with asked me if I was planning to exhibit at the big trade show in Toronto for the gift industry (I had no idea what he was talking about). He told me that only once I was ready to exhibit at a large trade show would he take my business and my products seriously. The rejection was painful but only made me more determined and curious.

When I had my cards in only a couple of local shops, they happened to land on the desk of a top greeting card distributor in Toronto. A former coworker of mine had sent them to one of the owners at Urban Barn, a Canadian design and furnishings store where I had previously worked. The owner passed my cards along to the greeting card distributor they worked with. The president of the distributor called me up. I was so nervous and my daughter was toddling somewhere in the background. He asked how many SKUs I had. I had no idea what SKUs meant but I knew I probably should have. I had 30 different designs or products in my collection (SKUs). He turned me down gently but encouraged me in a way I’ll never forget. He said “there is no doubt that one day you’ll be successful. Just keep building your product line.” It forced me to keep working on it alone, which solidified my path to becoming a business owner, building a bigger product line and developing solid relationships with retailers that have lasted years and even decades.

Meanwhile I had taken the trade show comment seriously. I did want to be seen as a legitimate business, not just someone who makes cards in their spare time. I looked into the cost, and estimated it to be $4000 (it turned out to be about $6000). So one day I sat down with my Dad over a cup of coffee and asked him, should I go for it and exhibit at a Canadian trade show in Toronto? His response lit a fire: “$4000 to pursue a dream? That sounds like a small investment to me.” So I went home and registered for the next Toronto Gift Show for January 2006, and bought items to design my first 10”x10” booth. I printed inventory for two collections of cards, boxed note cards, thank you notes and boxed invitations. I wrapped up a crate and shipped it off and flew to Toronto. On set up day, my booth neighbours introduced themselves and told me not to expect breaking even on my first show. But even under a different business name that I would soon change (more on that later) I wound up not only breaking even, I profited by the end and had 30 retailers across the country carrying my products. I was in business! I came home and booked more trade shows across the country.

My second show turned out differently. I went into it thinking - it’s three times the size, so I should profit three times the amount. But everything that could have gone wrong did. I lost my voice upon arrival. My booth fixtures were damaged in shipping. My wallet (and my ID to fly home) was stolen on set up day. I was put in the most undesirable spot in the basement of the show. It was an entirely different market that didn’t meet my product with the same kind of enthusiasm I had experienced in Toronto. I lost money. Even still, I came home and signed up for another show, this time in Vancouver. It was a success. I quickly realized in that first year exhibiting that I had to learn my audience and my market. I used my personal line of credit with a $20k max to pay for trade shows for the year and purchase inventory. I had maxed it - and had paid it back by the end of the year. Midway through year, I received a call from one of the first retailers I worked with. He was calling to ask for my new Holiday designs for Christmas. I thought - wait, I’m supposed to have Christmas products? And ready in July? I was learning everything on the fly.

That fall shortly after my third and last show for the year, I was ready to grow out of my spare bedroom filled with inventory. I signed my first lease on a 500 square foot studio space on the top floor of a beautiful, old former sewing factory downtown. And I just signed a contract to exhibit in New York the following year. It was the dream coming true.

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In Creative Business, Illustration, Surface Design
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Surface Design Workshop: July 17th, 2025

May 15, 2025 Gloria Wall

Join me in my studio for a Surface Design Workshop:

Thursday, July 17th, 2025

1:00-4:00pm

in the lovely Elm Park neighbourhood of Winnipeg, Manitoba

Join me in my backyard studio when the hydrangeas are blooming and we’ll chat about all things illustration and surface design. We’ll enjoy some light bites and sip tea or sparkling water while we learn about creating print and pattern collections, how to build a beautiful collection, pattern repeats, and designing eye-catching portfolios. I’ll share about my experiences in my 21 years in the surface design industry, including working with brands through licensing, freelance projects, trade shows and working with independent retail shops and large accounts worldwide through wholesale. I’ll share some of the things I’ve learned over the years, whether that’s hard lessons, challenges or successes. I love Q&A, so bring any questions you may have. You are also welcome to bring your portfolio or sketchbook.

This afternoon is for anyone in a creative business in surface design, or desiring to pursue one. Solo creative work and running a small business can be challenging, and it can feel quiet or lonely from time to time as you’re growing and learning. It’s my hope to create a welcoming space for connection and real conversation, to share from my experience in the industry and I hope, to leave you feeling inspired and encouraged.

Details: Limited amount of tickets are available (based on the size of my table). Shortly after signing up, you’ll receive an email with my address and any additional important details. Tickets are non-refundable. In the event of the requirement to cancel (for example, if a minimum number of participants isn’t reached), the workshop may be postponed until an optimal date or your ticket will be refunded in full. *Registration closes July 11th. 

I so look forward to hosting you here this summer! Reserve your spot here.

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In Surface Design, Illustration, Creative Business, Workshop, Events
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